Finnish film production
I think that national film
production is very important and I have an extremely good reason for that. For
example, from an American perspective Finland is a tiny outback in the armpit
of Russia. Do you think that the Americans in Hollywood are interested in
making a movie which tells about Finnish culture, history or phenomena? I doubt
it strongly. If we don’t make movies which tell about things related to our
country and culture ourselves, who will then? Besides, who can portray these
things better than us?
have noticed that we
practically never make pure action films, horror films or thrillers here in
Finland and I can’t see why. Perhaps they make such good films in Hollywood and
it’s hard to make these kinds of films in Finland so that they would differ
from their American counterparts in a good way. Action films are also very
expensive and we certainly don’t have tens of millions of dollars to make them.
This is one thing where American and Finnish movies differ. Americans spend a
lot more money on making films than we do. Even American comedies can have
enormous budgets, for example a film named There’s
Something About Mary, which you may have seen, It’s just an ordinary
comedy, starring Ben Stiller and Cameron Diaz, The film quite good, it doesn’t
look expensive and hasn’t special effects, but its budget was roughly 23
million dollars! Can anybody even believe it? It takes skill to waste so much
money on that kind of a movie. A big budget doesn’t always mean that the movie
is good, but it certainly helps to film epic movies successfully, like The Lord of the Rings trilogy (budget $281 000 000, box office
$2.92 billion).
Finnish film production is
strongly based on dramas, comedies and historical movies (often related to
war). I have noticed that Finnish dramas quite often have comical elements,
even if the film’s theme is serious, like Hellsinki
(Rööperi) and the original Vares movies, starring Juha Veijonen. Finns
obviously like to laugh. Everyone must have noticed too, how movie makers
recycle the actors. Every movie must have Kari Hietalahti acting a more or less
simple and hilarious character. I think that this “recycling” has gone too far.
They use star actors even in very minor roles. For instance, in Vesa-Matti
Loiri’s comeback movie, Tie pohjoiseen,
there’s a scene, where Loiri’s character robs a supermarket. And guess what,
Krista Kosonen plays the cashier, who is seen in the movie only about five
seconds and doesn’t even say a single word! How much did she get paid for that?
Finland has plenty of talented and aspiring new actors and actresses. Movie
makers should give more responsibility to them. Tie pohjoiseen is still an awesome movie, but that is ridiculous.
I think that we are quite good
at making movies and our movies are of a quite good quality although the
budgets aren’t very big. Finnish movies have won international awards and the rights
of some movies have been sold to other countries. A couple of Finnish actors
and actresses have even made their way to Hollywood, like Irina Björklund and
Samuli Vauramo. And director Renny Harlin has been there for several decades
already.
In my opinion, Finnish and
European movies have a lot in common. Of course British and German movies usually
have bigger budgets, but not as big as the American ones, not even close. I
think that the box office of a movie is more important to Americans than
Europeans. Here in Europe we pay more attention to the storyline of a movie. In
America a geek creates as many new action scenes and special effects as
possible and another dumbass writes a weak screenplay, where all the effects
and scenes can be included. Then they hire a muscular man to handle guns
(Stallone, The Big Arnie etc.) and a beautiful woman, who has used more Botox
and silicon than water in her whole life to play the leading roles. I’m fed up
with action movies so I watch them very seldom these days. I like the Finnish
movies, but I don’t know if I prefer them to American ones. Both Americans and
Europeans have made fantastic movies.
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